V4 shotlist

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V4 Shotlist: Framing, Composition & Other Parameters

V4 brings together the parameters that matter for strong video-generation prompts.

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AI V4 shotlist

When generating cuts, the AI parses your script and sets shotlist parameters—framing, composition, subjects, and more—to build a prompt tailored to each shot.

What this page covers in V4

Below: a walkthrough of each block.

Framing — Shot size, angle & focus

Camera Work Details is your movement & lens menu. This block is another layer: frame scale, viewing height, and focus plane—separate from blocking.

Shot sizes (as in the UI)

TermWhat it reads as
Extreme Wide ShotEnvironment dominates; people read as small figures.
Wide ShotFull body with readable context and space.
Full ShotHead to toe in frame.
Medium Wide ShotAround knee-up; pairs in conversation.
Medium ShotWaist or chest-up; gesture + emotion balance.
Medium Close-UpShoulders-up; eyes and expression lead.
Close-UpFace or hands—the emotional core.
Extreme Close-UpEyes, lips, or tiny props; peak intensity.

Camera angle

LabelNote
Eye LevelNeutral, relatable eye-line baseline.
Low AngleLooking up: power, menace, or heroism.
High AngleLooking down: vulnerability, isolation.
Bird's EyeTop-down: graphic layout, fate-like staging.
Dutch AngleTilted frame: unease, instability, noir.
Worm's EyeWorm’s eye: scale, oppression, awe.

Focus techniques

LabelNote
Deep FocusForeground through background sharp; spatial relationships clear.
Shallow Depth of FieldIsolate subject with creamy background blur.
Rack FocusShift focus plane to guide attention in time.
Split DiopterNear and far sharp simultaneously in one frame.
Tilt-ShiftSelective plane / toy-world or stylized emphasis.

Composition — Blocking & subject lines

The blocking dropdown lives inside the “Subjects & blocking” accordion—this H3 groups ideas for readability, but that is where you click in the tool.

In Subject “Feature”, parentheses often hold staging notes—the exact format is flexible.

Examples:
Adam Reed (medium shot)— a veteran NASA astronaut…
Lily Evans (by the window, medium shot)— a 35-year-old office worker…
  • Tags like “(medium shot)” memo the scale per person—map them to the English shot-size dropdown (e.g. Medium Shot).
  • Tags like “(by the window)” memo on-screen position—often combined with blocking presets (left / center / depth).
  • “Foreground–midground–background” describes cut-wide layers; per-subject parentheses are individual scale notes—read them together as master shape plus local trims.

Blocking presets

LabelNote
Foreground-Midground-BackgroundLayer depth: foreground, midground, background.
Left-Center-RightLeft–center–right lineup; dialogue and confrontation.
V-shape / TriangleTriangle composition with a clear focal apex.
Circular / SemicircleRitual, meeting, or encirclement staging.
DiagonalDiagonal energy and leading lines.
One in a Crowd (Isolation)One figure isolated in a crowd.

Use the custom field when nothing in the preset list matches your staging.

Other parameters — Color, props & sound

After framing and composition, specify look, handheld objects, and audio. Art direction (“extras”) is covered in Step 3.

Color palette (【Color】 line)

LabelNote
Cool TonesBlues and greens; sci-fi, night, detachment.
Warm TonesReds and ambers; passion, memory, warmth.
MonochromeChromatic restraint, graphic monochrome reads.
Complementary ContrastOpposing hues for punchy contrast.
PastelSoft saturation, gentle and approachable.
NeonNeon nightlife and cyber moods.
Earth TonesBrowns, ochres, organic materials.

The color palette sets—in one line—the tactile feel of the world, beyond what genre and location alone imply. Even in SF, choosing warm, human-drama tones can imprint a new look: not a “cold future,” but a near future where human warmth still reads on screen.

Pair presets with the custom color field for precise notes.

Props (【Props】 line)

Short notes on handheld items, key objects on tables, or symbolic props—keep them distinct from dialogue and verbs.

Sound notes (【Sound Notes】 line)

Use this for ambience, room tone, distant sirens, AC hum, or music mood—keep it separate from spoken lines and narration.

  • Example: only rain on glass; no audible dialogue.
  • Example: subway rumble far away, footsteps close and dry.

Right-column line order (reference)

  1. Cut
  2. Location
  3. Subjects A–E (feature, dialogue, verb)
  4. Blocking
  5. Camera
  6. Start】 / 【End
  7. Art Direction】 / 【Color】 / 【Props
  8. Style】 / 【Atmosphere
  9. Narration
  10. Sound Notes

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